Directed by Beata Pilch
Trap Door Theatre
2013
Photo Credit: David Holcombe
Actors (l-r): Chris Popio, Lyndsay Kane, Simina Contras
Chicago Critic, Tom Williams: "Blood on the Cat’s Neck is not only a worthy avant garde satirical comedy but it is an actor’s showcase allowing each cast member to have a few moments to shine their stage skills. Chris Popio, the policeman; Carl Wisniewski, the butcher; Nicole Wiesner, the mistress; Nicholas Loumos, the soldier; J. Keegan Siebken, the teacher; Marzena Bukowska, the dead soldier’s wife; Lyndsay Rose Kane, the girl; Antonio Brunetti, the model; and Jacob Alexander, the lover each left it all on the stage in this spirited work."
Directed by Beata Pilch
Trap Door Theatre
2013
Photo Credit: David Holcombe
Actors (l-r): Nicole Weisner, Simina Contras, Lyndsay Kane
Directed by Kate Hendrickson
Trap Door Theatre
2015
Photo Credit: Michal Janicki
Actors (l-r): Lyndsay Kane, Gage Wallace
"Popio and Kane effectively pull us into their parental and personal nightmare. In particular, the persevering Kane is relentless as the protective mother. Kane fully invests in her grueling emotional performance. And within her palpable hysterics, she continually shifts into hostess by offering cookies to Steele and Wisniewski. Later, her interaction with Wallace is heartbreakingly tender." -- Katy Walsh, The Fourth Walsh, FULL REVIEW
Directed by Kate Hendrickson
Trap Door Theatre
2015
Photo Credit: Michal Janicki
Actors (l-r): Lyndsay Kane, Gage Wallace
Directed by Chris Marino
Trap Door Theatre
2016
Photo Credit: Michal Janicki
"As the title character — a widow who, against the dictates of her brothers, secretly weds and has a family with a commoner — Lyndsay Rose Kane moves from a rather pettish and immature woman to one whose descent into the maelstrom of political intrigue and murder deepens her self-knowledge. It's a mesmerizing turn…" -- Kerry Reid, Chicago Tribune, FULL REVIEW
"The Duchess is one of my favorite characters in theatre, and in Kane’s hands, she is a loving, courageous, admirable, and deeply sympathetic woman. The scene in which she proposes to Antonio is as funny, sweet, and heartwarming in this production as in any, and from the moment Kane first walks on, we are unshakably on her side." -- Jacob Davis, Chicago Tribune, FULL REVIEW
Directed by Chris Marino
Trap Door Theatre
2016
Photo Credit: Michal Janicki
Directed by Chris Marino
Trap Door Theatre
2016
Photo Credit: Michal Janicki
Actors (l-r): Lyndsay Kane, Casey Chapman
Directed by Chris Marino
Trap Door Theatre
2016
Photo Credit: Michal Janicki
Actors (l-r): Casey Chapman, Lyndsay Kane, John Kahara
Directed by Richard Perez
2012
Photo Credit: Anthony Aicardi
Actors (l-r): Lance Newton, Lyndsay Kane
"Mary Canary (Lyndsay Rose Kane) is also the mistress of a sleazy local politician simply known as The Mayor. Kane’s performance is raw, sweet, and darkly funny." --Scotty Zacher, Chicago Theatre Beat, FULL REVIEW
Directed by Richard Perez
2012
Photo Credit: Anthony Aicardi
Actors (l-r): Madrid St. Angelo, Kelly Owens, Lyndsay Kane
2011
Photo Credit: Michal Janicki
Actors (l-r): Lyndsay Kane Rich Logan
http://www.chicagostagereview.com/hamletmachine-%E2%80%93-review/ Venus Zarris: The ensemble commits themselves to the script as if they were clinically committed to an asylum. Most are perfectly fitted into the theatrical straightjackets of their roles. Lyndsay Rose Kane is mechanically malicious as Gertrude
http://articles.chicagotribune.com/2011-01-13/entertainment/ct-ott-0114-on-the-fringe-20110113-15_1_ophelia-shakespeare-trap-door-theatre Kerry Reid: Lyndsay Rose Kane turns her Gertrude into a venomous coquette one moment, an anguished victim of circumstance the next.
Centerstage, Laura Kolb: The show is visually thrilling as well: slow, dramatic choreography (by Lyndsay Rose Kane, who also plays Gertrude) plays out against an austere but versatile set
2011
Photo Credit : Michal Janicki
Actors (l-r): Lyndsay Kane, Antonio Brunetti
http://www.chicagostagereview.com/hamletmachine-%E2%80%93-review/ Venus Zarris: The ensemble commits themselves to the script as if they were clinically committed to an asylum. Most are perfectly fitted into the theatrical straightjackets of their roles. Lyndsay Rose Kane is mechanically malicious as Gertrude
http://articles.chicagotribune.com/2011-01-13/entertainment/ct-ott-0114-on-the-fringe-20110113-15_1_ophelia-shakespeare-trap-door-theatre Kerry Reid: Lyndsay Rose Kane turns her Gertrude into a venomous coquette one moment, an anguished victim of circumstance the next.
Centerstage, Laura Kolb: The show is visually thrilling as well: slow, dramatic choreography (by Lyndsay Rose Kane, who also plays Gertrude) plays out against an austere but versatile set
Directed by Patricia Acerra
International Voices Project
Year 2011
Photo Credit: Venus Zarris
http://www.chicagostagereview.com/the-list-an-inventory-of-excellence-ivp/ Venus Zarris: This 2008 Governor General’s Award-winning script was given a breathtaking reading under the emotionally astute direction of Patrizia Acerra and through a captivating performance by Lyndsay Rose Kane.Kane remarkably takes on the Herculean task of this one-woman script and unfolds the story with a delicate build that flows organically while deliberately depicting the world and thoughts of a character that lives her life by detailed lists. She draws us into the mind of a woman, isolated in her thoughts. Kane brilliantly and intimately establishes the script’s existential flat-line of a life void of that sense of higher purpose needed to critically prioritize her world.
Directed by Patricia Acerra
International Voices Project
Year 2011
Photo Credit: Venus Zarris
http://www.chicagostagereview.com/the-list-an-inventory-of-excellence-ivp/ Venus Zarris: This 2008 Governor General’s Award-winning script was given a breathtaking reading under the emotionally astute direction of Patrizia Acerra and through a captivating performance by Lyndsay Rose Kane.Kane remarkably takes on the Herculean task of this one-woman script and unfolds the story with a delicate build that flows organically while deliberately depicting the world and thoughts of a character that lives her life by detailed lists. She draws us into the mind of a woman, isolated in her thoughts. Kane brilliantly and intimately establishes the script’s existential flat-line of a life void of that sense of higher purpose needed to critically prioritize her world.
Directed by Travis Preston
Company Center for New Theatre
Year 2002
Directed by Liz Carlin Metz
Vitalist
2011
Photo Credit: Anthony Aicardi
Actors (l-r): Lyndsay Kane, Gregory Issac
Lyndsay Rose Kane and Gregory Issac are enticing as Prince Astolfo and Princess Estrella. They create conniving chemistry through delicate performances, beautifully opting for subtly over bombast that delivers more impact because of their sophisticated restraint. --Venus Zarris http://www.chicagostagereview.com/life-is-a-dream-%E2%80%93-review/
Directed by Michal Janicki
Studiobema
Year: 2015
Photo Credit: Michal Janicki
Actors (l-r): Lyndsay Kane, Kevin Cox
Directed by Mia Posner
Columbia College Film School
2008
Photo Credit: Timmy Tamisiea
Directed by Lyndsay Kane & Kathryn Satoh
Mozawa
2016
Photo Credit: Matt Ozawa
Directed by Ben Fuchsen
Oracle Theatre
2009
Photo Credit: Angela Glyda
Actors (l-r): Carl Wisniewski, Lyndsay Kane
Directed by Victor Quezada-Perez
Trap Door Theater
2017
Photo Credit: Michal Janicki
Actors (l-r): Lyndsay Kane, Nora Ulrey
Directed by Victor Quezada-Perez
Trap Door Theater
2017
Photo Credit: Michal Janicki
Actors (l-r): Dennis Bisto, Lyndsay Kane
Directed by Victor Quezada-Perez
Trap Door Theater
2017
Photo Credit: Paulina Paul
Actors: Nora Ulry, Dereck Jeck, Bill Gordon, Kevin Webb, Casey Chapman, Mike Steele, Bob Wilson, Cami Codell, Dennis Bisto, Lyndsay Kane, Abby Blankenship, David Steiger, Beata Pilch, Victor Quezada-Perez, Antonio Brunetti
Directed by Christopher Marino
Alchemical Theatre Company
Lumina Festival
2017
Photo credit: Harry Taylor
Actors (l-r): Ashley Strand, Lyndsay Kane